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  1. en.wikipedia.org › wiki › Bong_Joon-hoBong Joon-ho - Wikipedia

    Bong Joon-ho (Korean: 봉준호, Korean pronunciation: [poːŋ tɕuːnho → poːŋdʑunɦo]; born September 14, 1969) is a South Korean film director, producer and screenwriter.

  2. www.imdb.com › name › nm0094435Bong Joon Ho - IMDb

    Bong Joon-ho is a South Korean filmmaker. The recipient of three Academy Awards, his filmography is characterized by emphasis on social themes, genre-mixing, black humor, and sudden tone shifts.

  3. Bong Joon-ho is a South Korean film director, producer, and screenwriter who began his career in 1994 after creating the short films White Man, Memories in My Frame, and Incoherence. In 1997, Bong wrote the feature film Motel Cactus, for which he also served as an assistant director.

  4. Jun 21, 2024 · Bong Joon-Ho, South Korean filmmaker known for the meticulous directing, social critique, blending of genres, and quick tonal shifts in his movies, many of which he also cowrote. His best-known films included Memories of Murder, The Host, Snowpiercer, and Parasite.

  5. One of South Korea's most acclaimed 21st century film-makers, writer, producer and director Bong Joon-ho broke box-office records in his homeland with crime drama "Memories of Murder" (2003)...

  6. Oct 15, 2019 · An interview with director Bong Joon-ho about one the year's biggest cinematic sensations, Parasite.

  7. Bong Joon-ho is a South Korean filmmaker. The recipient of three Academy Awards, his filmography is characterized by emphasis on social themes, genre-mixing, black humor, and sudden tone shifts.

  8. Apr 9, 2020 · Bong’s one-of-a-kind policier, “ Memories of Murder, ” takes a tonally audacious approach to the investigation into South Korea’s first serial killer, a predator who raped and murdered 10...

  9. Oct 15, 2019 · Bong Joon Ho never met a genre he couldn’t subvert. For almost 20 years, the South Korean director has been making movies that span every category.

  10. Feb 13, 2020 · Bong Joon Ho’s Path From Seoul to Oscar Dominance - The New York Times. Once vilified as “anti-American” and “left wing” by critics in South Korea, he has been releasing one blockbuster after...

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