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* Sound Editing - Paul N.J. Ottosson * Sound Mixing - Paul N.J. Ottosson and Ray Beckett * Writing (Original Screenplay) - Written by Mark Boal
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians.
Pages in category "Best Sound Editing Academy Award winners". The following 53 pages are in this category, out of 53 total. This list may not reflect recent changes .
The Sound Editing Oscar is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS). It honors the individuals responsible for the creation, design, and selection of a film’s auditory elements, excluding the music score.
The Academy Award for Best Sound Editing is an Academy Award granted yearly to a film exhibiting the finest or most aesthetic sound editing or sound design. The award is usually received by the Supervising Sound Editors of the film, perhaps accompanied by the Sound Designers.
The 82nd Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences (AMPAS), honored the best films of 2009 and took place on March 7, 2010, at the Kodak Theatre in Hollywood, Los Angeles beginning at 5:30 p.m. PST / 8:30 p.m. EST.
8 Mac 2010 · Sound editing: Paul NJ Ottosson, The Hurt Locker. Sound Mixing: Paul NJ Ottosson and Ray Beckett, The Hurt Locker. Cinematography: Mauro Fiori, Avatar. Best Score: Michael Giacchino, Up
