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  1. Vivien Greene (née Dayrell-Browning; 1 August 1904 – 19 August 2003) was a British writer regarded as the world's foremost expert on dolls' houses. She was the wife of the distinguished novelist Graham Greene.

  2. Vivien Greene has been a Guggenheim curator since 1993 and specializes in late 19th- and early 20th-century European art with concentrations in Italian modernism and international currents in turn-of-the-century art and culture.

  3. Vivien M. Greene Solomon R. Guggenheim Museum Senior Curator, 19th- and Early 20th-Century Art, 1071 5th Avenue Guggenheim Museum New York, NY 10128 Curator at Large, Peggy Guggenheim Collection vgreene@guggenheim.org EDUCATION .....

  4. 25 Ogo 2003 · Vivien Greene, who married novelist Graham Greene in 1927 and remained his wife until his death in 1991 despite their long separation and his later love affairs, died Tuesday at her home...

  5. Vivien Greene, Solomon R. Guggenheim Museum New York, Curatorial Department, Department Member. Studies Curatorial, Art History and Criticism, and Colonialism.

  6. 2 Mac 2014 · Curator Vivien Greene does a superlative job of tracing the movements birth and trajectory, and she is determined to see it through to the spluttering finale.

  7. Senior Curator at Guggenheim Museum · Experience: Guggenheim Museum · Education: City University of New York Graduate Center · Location: New York · 356 connections on LinkedIn. View Vivien ...

  8. 8 Sep 2003 · Vivien Greene, Wife of Graham Greene, 1905-2003. Vivien Greene, who has died aged 98, was the only wife of Graham Greene, whom she so captivated in 1925 that the novelist, an atheist in his youth, converted to Catholicism to win her hand.

  9. 2 Jun 2014 · Vivien Greene, Senior Curator, 19th and Early 20th Century Art, Colomon R. Guggenheim Museum discusses the importance of this exhibit, which explores Italian Futurism in the United States....

  10. Senior curator Vivien Greene describes the historical context of a major avant-garde of the 20th century in this video, and offers insight into the design and planning of the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe.