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  1. Andrew Stanton (born December 3, 1965) is an American film director, screenwriter, producer, and occasional voice actor based at Pixar Animation Studios. His film work includes writing and directing Finding Nemo and WALL-E; both films earned him the Academy Award for Best Animated Feature. Description above from the Wikipedia article Andrew Stanton, licensed under CC-BY-SA, full list of ...

  2. Andrew Stanton (born December 3, 1965) is a director, screenwriter, producer, and occasional voice actor. He has been instrumental in the success of many Pixar films, including Finding Nemo, WALL•E, and Finding Dory. Also, he is known for directing the 2012 Disney epic sci-fi adventure action...

  3. Andrew Christopher Stanton Jr. é um animador, roteirista, e ator de voz americano. Um de seus principais trabalhos aconteceu no período de 2002 a 2003, na animação Procurando Nemo da Pixar, o qual ele dirigiu e escreveu. Venceu o Óscar de Melhor Animação em 2004 e em 2008 (WALL-E). Ele também dirigiu o filme Finding Dory, a sequela de sucesso de Finding Nemo estreou em 17 de junho de 2016.

  4. 22 Nov 2022 · As the Disney and Pixar classic ‘Wall-E’ joins the Criterion Collection, director Andrew Stanton looks back on the years spent making it, and shares his only regret about the film’s second act.

  5. Stanton vit à Rockport, Massachusetts. Il étudie l'animation des personnages. Sa premiere animation est avec le studio "Ralph Bakshi Productions" où il travaille sur le projet de " Mighty Mouse: Les Nouvelles Aventures" en cooperation avec Jeff Pidgeon,Tom Minton, Eddie Fitzgerald, John Kricfalusi, et Jim Reardon.. Andrew Stanton entre aux studios Pixar en janvier 1990 et en devient le 2 e ...

  6. 8 Jun 2024 · Following Lightyear's underwhelming performance with audiences and at the box office, having Stanton in the director's chair could put Toy Story 5 on the best track possible to redeem the franchise. Though the spinoff was co-written and directed by fellow franchise vet Angus MacLane, he held a bigger position on the animation side of things rather than the creative side, and as such, putting ...

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