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Lucio Fulci’s film career spread over more than forty years. He started as an assistant director and scriptwriter in the ‘50s, before becoming a director. As a filmmaker, he touched almost every genre, from comedy to horror to giallo to western. A fan of Hitchcock, he amused himself by making cameo appearances in films and played the lead ...
Lucio Fulci ( 17. července 1927, Řím - 13. března 1996, Řím) byl italský režisér, scenárista a herec . Patří k nejvýznamnějším režisérům žánru giallo, jeho velmi brutální, mnohdy nicméně kultovní hororové filmy jako Zombi 2 ( 1979) nebo The Beyond ( 1981 ), mu vynesly titul "kmotr krváků" ( Godfather of Gore ).
Timestamps:Intro 00:00The Weird and the Eerie 02:58City of the Living Dead 05:14Thresholds and The Beyond 08:24Weird Loops and The House by the Cemetery 16:06
Lucio Fulci (17 June 1927 – 13 March 1996) was an Italian film director, screenwriter, producer and actor. Although he worked in a wide array of genres through a career spanning nearly five decades, including comedy, Spaghetti Western, adventure, science fiction and erotica, he garnered an international cult following for his giallo and horror films.
Rate. When a southern Italian town is rocked by a string of child murders, the police and two urban outcasts search for the culprit amid scapegoating within the superstitious community. Director: Lucio Fulci | Stars: Florinda Bolkan, Barbara Bouchet, Tomas Milian, Irene Papas. Votes: 10,491. Watch on CONtv.
Lucio Fulci (Italian: [ˈlutʃo ˈfultʃi]; 17 June 1927 – 13 March 1996) was an Italian film director, screenwriter and actor. He is perhaps best known for his gore films, including Zombi 2 (1979) and The Beyond (1981), although he made films in genres as diverse as giallo, western and comedy. Fulci is known as the "Godfather of Gore", a title also given to him by Herschell Gordon Lewis ...
The Italian maestro Lucio Fulci is a well-regarded creative tour de force by horror fans, and whilst his rather extensive oeuvre takes in all manner of genres, he is still oft overlooked by the mainstream, leaving him as, arguably, one of the most underrated director’s in the history of the film industry.
