Search results
May 27, 2016 · Screenwriter Linda Woolverton, 63, has penned such moderns classics as Disney’s Beauty and the Beast and The Lion King. In 2010, with Tim Burton’s Alice in Wonderland, she became the first ...
Jun 2, 2014 · On Friday, Woolverton’s latest collaboration with Disney, Maleficent, opened in cinemas. The film follows the antagonist of the studio’s 1959 animated film Sleeping Beauty, an embittered fairy who once trusted humans, only to be brutally betrayed. Angelina Jolie stars as the titular character, with Elle Fanning playing Princess Aurora, the ...
Oct 24, 2019 · WOOLVERTON: Well, it started with Belle from Beauty and the Beast, and that was a long time ago, but I’ve always been a feminist. When they approached me about that, I looked at it and thought ...
Linda Woolverton is a writer best known for the screenplay for Disney's animated feature film Beauty and the Beast and co-wrote the screenplay for the The Lion King. Woolverton then went on to write the Broadway musical version of Beauty and the Beast and The Lion King to the stage. She also co-wrote the book for the Broadway musical Aida and wrote the book for Lestat. She also co-produced and ...
Linda Woolverton is an American screenwriter, producer, author, and playwright, who wrote the screenplay for Disney's 1991 animated feature film Beauty and the Beast. She also co-wrote the story for Disney's 1994 animated feature film The Lion King, and provided additional story and writing material for Disney's 1998 animated feature film Mulan. In 2010, more than ten years later, Woolverton ...
Linda Woolverton (lahir 1952) adalah penulis skenario, pengarang drama, dan novelis asal Amerika Serikat yang karyanya berupa buku dan naskah beberapa dipakai oleh Disney dan panggung musikal. Dia menjadi penulis wanita pertama fitur animasi Disney dengan menulis skenario untuk film Beauty and the Beast , film animasi pertama yang dinominasikan ...
Mar 13, 2010 · Linda Woolverton, the screenwriter behind the new Alice in Wonderland film, is the low-key kind — agreeable, modest and not the type to prattle on or self-aggrandize. But be clear, despite her unassuming nature, there is an audacity to this new script. It is not simply an adaptation of Lewis Carroll’s singular children’s masterpieces ...
