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  1. Jun 8, 2024 · Considered by many to be the quintessential Rivette film, Gang of Four explores many of the themes that obsessed the director throughout his career — theater, the rehearsal process, female bonding, obscure conspiracies, mysterious keys… and, of course, his favorite leading lady, Bulle Ogier.

  2. Jun 10, 2024 · Although Jacques Rivette was the first of the Cahiers du Cinéma critics to embark on filmmaking, he differed from his colleagues—Claude Chabrol, Jean-Luc Godard, Eric Rohmer, François Truffaut—in remaining a cult figure rather than an arthouse staple.

  3. Jun 8, 2024 · Jacques Rivette cinéaste du mystère, par Pacôme Thiellement. Pacôme Thiellement a gagné il y a peu une belle popularité grâce à son histoire personnelle et fascinante de l’Histoire de France,...

  4. Jun 24, 2024 · Jacques Rivette has made several good films and four great ones, consecutively: L’Amour Fou (four hours, 1968), Out 1 (12 hours, 1971), Out 1: Spectre (four hours, 1972), and Celine and Julie Go Boating (three hours, 1974). It’s not their epic length that sets these apart from the rest of his filmography — there are others by Rivette that ...

  5. Jun 12, 2024 · Jacques Rivette is perhaps the best-kept secret of French cinema. A founding figure in the New Wave, and at the center of the Cahiers du cinéma team, he developed into one of the most unusual and adventurous French directors of the last sixty years, yet his work remains little-known in comparison with his contemporaries, and this study is the ...

  6. Jun 28, 2024 · In her vision, the answers are more allegorical than practical. Her picture is an exquisitely constructed cinematic work that functions more like an ever-shifting visual and aural sculpture than a narrative.

  7. Jun 27, 2024 · Introduction to Rivette: Texts & Interviews (1977) This book was published in 1977 by the British Film Institute and has been long out of print, although nearly all its contents has been reprinted on the excellent Jacques Rivette website, “Order of the Exile”. — J.R.