Search results
Jun 28, 2024 · Phedon Papamichael's cinematography is beautiful and moody, with the lights of Manhattan blurred into abstraction out the windows, the shadows and lights brushing through the interior, the way Johnson's face is seen in the rearview against the back window, floating around in space (reminiscent of the gorgeous shots of Cybill Shepherd in the ...
Jun 27, 2024 · A synthetic encounter between a gabby cabby and his self-possessed female passenger, the movie is a claustrophobic two-hander oxygenated in part by Phedon Papamichael’s sleekly gorgeous ...
Jun 27, 2024 · Instead, Hall and DP Phedon Papamichael chose to shoot on a set where the cab was surrounded by LED panels.
Jun 28, 2024 · Cinematographer Phedon Papamichael does at least manage to capture Clark with genuine intrigue a handful of times, lighting Penn's eyes through the reflection of his rear-view mirror as though...
Jun 28, 2024 · “Daddio” has pro credits across the board: a bruised neon New York outside the taxi windows courtesy of cinematographer Phedon Papamichael (“Nebraska”) and a ruefully pretty score by Dickon...
Jun 24, 2024 · The technique pays off handsomely, and the atmospheric beauty that cinematographer Phedon Papamichael (3:10 To Yuma, The Descendants) captures—both inside the cab and in his footage of the highway—is oddly and wonderfully transfixing.
Jun 25, 2024 · So she and director of photography Phedon Papamichael adapted the technology used on “The Mandalorian” for their earthbound drama, encircling the cab on the soundstage with panels of LED ...
