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Herbert Lippschitz (1904–1972) was a German art director. He rose to prominence during the Weimar Republic in the early sound era . The Jewish Lippschitz was forced to leave Germany following the rise of the Nazi Party to power in 1933.
Herbert Lippschütz, in den USA Herbert O. Phillips, gebürtig Herbert Oswald Lippschitz (* 28. Februar 1904 in Berlin, Deutschland; † 13. September 1972 in München, Deutschland), war ein deutscher Filmarchitekt mit sporadischen Abstechern zur Filmproduktion und Drehbuchtätigkeit.
Herbert Lippschitz (1904–1972) was a German art director. [1] He rose to prominence during the Weimar Republic in the early sound era . The Jewish Lippschitz was forced to leave Germany following the rise of the Nazi Party to power in 1933.
Herbert Lippschitz (1904–1972) was a German art director. He rose to prominence during the Weimar Republic in the early sound era. The Jewish Lippschitz was forced to leave Germany following the rise of the Nazi Party to power in 1933.
Arnold Lippschitz (1901–1952) was a German screenwriter. Born the son of the playwright Arthur Lippschitz, his young brother was the art director Herbert Lippschitz. He began his film career in 1918 at the end of the First World War.
Herbert O. Phillips was born on 28 February 1904 in Berlin. He was an art director and writer, known for Enemy of Women (1944), Hit and Run (1957) and Ein Walzer im Schlafcoupé (1930). He died on 13 September 1972 in Munich, Germany.
The film's sets were designed by the art directors Willi Herrmann and Herbert Lippschitz. It was remade as a 1949 film of the same title starring Heinz Rühmann.
