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  1. en.wikipedia.org › wiki › Dean_CundeyDean Cundey - Wikipedia

    Dean Raymond Cundey, A.S.C. (born March 12, 1946) is an American cinematographer and film director. He is known for his collaborations with John Carpenter, Steven Spielberg, and Robert Zemeckis, as well as his extensive work in the horror genre, in addition to numerous family and comedy films.

  2. www.imdb.com › name › nm0005678Dean Cundey - IMDb

    Dean Cundey is a multiple award-winning cinematographer who worked on films such as "Jurassic Park", "Apollo 13" and "Who Framed Roger Rabbit". He also directed "Honey, We Shrunk Ourselves" and was nominated for an Oscar and a BAFTA for his work.

  3. Dean Cundey. Cinematographer: Jurassic Park. Multiple award-winning cinematographer Dean Cundey, ASC, CSC who was nominated for an Oscar for "Who Framed Roger Rabbit" and took home the BAFTA for the same film, has a career spanning decades with awards and nominations including a Primetime Emmy (2023 "The Mandalorian") a Daytime Emmy (2001 "The ...

  4. Dean Cundey is an American cinematographer and film director, known for his collaborations with John Carpenter, Steven Spielberg, Robert Zemeckis and others. He was nominated for an Oscar for Who Framed Roger Rabbit and worked on many horror, comedy and family films.

  5. Jun 13, 2023 · Dean Cundey is a legendary cinematographer who shot some of the most influential films ever, such as Halloween, The Thing, Back to the Future, and Jurassic Park. In this interview, he reflects on his career, his collaborations with Spielberg and Carpenter, and his love for creating illusions.

  6. Aug 12, 2021 · Dean Cundey is a renowned cinematographer who worked on films like Halloween, Back to the Future and Jurassic Park. Read his insights on his career, visual style and collaborations with directors like John Carpenter, Robert Zemeckis and Steven Spielberg.

  7. Aug 8, 2023 · Dean Cundey, the cinematographer of Jurassic Park and Back to the Future, talks about his Emmy-nominated work on The Mandalorian Season 3, Episode 4. He shares his experience of working with the Volume, Carl Weathers, and Ahmed Best, and his challenges and rewards of creating the visual style of the show.