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Jeanine Durning is an Alpert Award winning choreographer and performer from New York whose work has been described by The New Yorker as having both “the potential for philosophical revelation and theatrical disaster.”
Jeanine Durning is a choreographer, performer, and teacher based in New York. Her work has been presented in Amsterdam, Berlin, Zagreb, Toronto, and across the US. Performance work. A Good Man Falls (2002) Part One Parting (2004) half URGE (2004) out of the kennel into a home (2006) Ex-Memory: waywewere (2009) inging (2010)
Part spoken word performance, part reverie, part dance, part oral biography, part meditation and psychotherapy, inging is a choreography of the mind, moving in the continuous present. It tracks the velocity of thought through a proprioceptive cascade of words.
A psychosocial experiment, To Being opens to a landscape where radically divergent desires converge and empathy unfolds. To Being is dance as both ontological inquiry and homage, a force against the absolute, the nameable. To Being is a composition of endurance, a sonata of devotion.
Nov 24, 2015 · In inging, Durning speaks, without stopping, without script, for roughly 30 minutes. I first caught wind of inging, “part-spoken word performance, part reverie, part dance, part oral biography, part meditation and psychotherapy,” when Durning performed the work as part of American Realness in 2013. What caught my interest was the title.
Jeanine Durning is a choreographer and performer from New York City. She has been living in Brooklyn for 15 years but her work travels her away from home, mainly to Amsterdam and Berlin these days.
Sep 25, 2015 · The first work in a series based on Durning’s performance practice “nonstopping,” inging proposes the insistent practice of unscripted nonstop languaging as performance, where speaker (performer) is in direct relation with listener (audience) at the moment of articulation.
