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  1. Andrea Appiani (31 May 1754 – 8 November 1817) was an Italian neoclassical painter. Life. Born in Milan, it had been intended that he follow his father's career in medicine but instead entered the private academy of the painter Carlo Maria Giudici (1723–1804) where he received instruction in drawing, copying mainly from sculpture and prints.

  2. Giovanni Andrea Melchiorre Appiani (Milano, 31 maggio 1754 – Milano, 8 novembre 1817) è stato un pittore italiano. Alfiere del neoclassicismo in Italia, fu uno dei maggiori esponenti di quel periodo compreso tra l' Illuminismo e le vicende napoleoniche, grazie alla specificità espressiva del suo stile, vero e proprio trait d'union tra la ...

  3. Andrea Appiani | Artist | Royal Academy of Arts. Artworks. Andrea Appiani the elder (1754 - 1817) RA Collection: People and Organisations. Italian neo-classical painter. Profile. Born: 31 May 1754 in Milan. Died: 8 November 1817. Gender: Male. Works by Andrea Appiani in the RA Collection. 32 results. Andrea Appiani the elder.

  4. View Andrea Appiani the Elder’s 179 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available paintings, works on paper, and prints and multiples for sale and learn about the artist.

  5. Italian painter. He was the leading Italian painter of the Neoclassical period, but more on account of the lack of native competition than because of the quality of his work, which is graceful and impeccably finished but often rather bland.

  6. Andrea Appiani was the leading painter of the Neoclassical tradition in Italy and is perhaps best known as a key figure in fashioning the visual legacy of Napoleon Bonaparte in Italy. When Napoleon first arrived in Milan in 1796 during the First Italian Campaign, he sat for a charcoal and chalk portrait drawing by the Milanese artist.

  7. Italian painter. He was the leading Italian painter of the Neoclassical period, but more on account of the lack of native competition than because of the quality of his work, which is graceful and impeccably finished but often rather bland.