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  1. en.wikipedia.org › wiki › Badal_SircarBadal Sircar - Wikipedia

    Sudhindra Sircar (15 July 1925 - 13 May 2011), also known as Badal Sarkar, was an influential Indian dramatist and theatre director, most known for his anti-establishment plays during the Naxalite movement in the 1970s and taking theatre out of the proscenium and into public arena, when he transformed his own theatre company, Shatabdi ...

  2. Badal Sircar (1925-2011)—along with Girish Karnad, Vijay Tendulkar, and Mohan Rakesh—is considered one of the most prominent figures in modern Indian theatre. Among the alternative theatre forms, Sircar is a well-known name who advocated innovative theatrical practice known as the ‘Third Theatre.’.

  3. Sep 30, 2015 · Badal Sircar (1925-2011) is one of the most important and influential figures in the history of post-independence Indian theatre. As a playwright, he contributed seminal...

  4. May 25, 2021 · Badal Sircar gave up contemporary set conventions, montage of past and present, and introduced fragmentary scenes, with experiments with the language. Sircar also rejected the conventional features of drama such as ‘unity of action’, ‘unity of time’ and so on.

  5. Badal Sircar. (b. 1925) Quick Reference. (1925– ) Bengali director, dramatist, and actor. Trained as a civil engineer, in 1962 he composed the absurdist Evam Indrajit, about identity and conformity in the metropolitan jungle; published and staged ... From: Sircar, Badal in The Oxford Companion to Theatre and Performance »

  6. May 1, 2016 · Abstract. The incandescence of Badal Sircar redefined the identity of the urban Indian performance space. His example continues to influence political theatre-makers not only in South Asia, but also in the global theatre scene at large.

  7. Nov 10, 2021 · An article that explores the theoretical and practical aspects of Badal Sircar's Third Theatre, a revolutionary form of Bengali theatre that reached the working people of villages and slums. It analyzes his essays, productions and philosophy of theatre, and contrasts it with the conventional proscenium theatre.