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  1. Julia Margaret Cameron ( née Pattle; 11 June 1815 – 26 January 1879) was a British photographer who is considered one of the most important portraitists of the 19th century. She is known for her soft-focus close-ups of famous Victorians and for illustrative images depicting characters from mythology, Christianity, and literature.

  2. Jun 7, 2024 · Julia Margaret Cameron was a British photographer who is considered one of the greatest portrait photographers of the 19th century. The daughter of an officer in the East India Company, Julia Margaret Pattle married jurist Charles Hay Cameron in 1838.

  3. www.vam.ac.uk › collections › julia-margaret-cameronJulia Margaret Cameron · V&A

    One of the most important and innovative photographers of the 19th century, Julia Margaret Cameron had close links to the South Kensington Museum (now the V&A) throughout her career – her first museum exhibition in 1865 was held here and was home to her portrait studio in 1868.

  4. Although she may have taken up photography as an amateur and sought to apply it to the noble noncommercial aims of art, [Julia Margaret Cameron] immediately viewed her activity as a professional one, vigorously copyrighting, exhibiting, publishing, and marketing her photographs.

  5. Julia Margaret Cameron (née Pattle; 11 June 1815 – 26 January 1879) was a British photographer who is considered one of the most important portraitists of the 19th century. She is known for her soft-focus close-ups of famous Victorians and for illustrative images depicting characters from mythology, Christianity, and literature.

  6. Julia Margaret began her photographic career at the age of 48 when she received her first camera as a gift from her daughter. She quickly and energetically devoted herself to the art of photography.

  7. From life not enlarged. In the summer of 1865, Cameron began using a larger camera, which held a 15 x 12 inch glass negative. She used her new camera to begin a series of large-scale, close-up portraits, which she saw as a rejection of conventional photography in favour of a less precise but more emotionally compelling kind of portraiture.