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The Adoration of the Magi or Adoration of the Kings or Visitation of the Wise Men is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star, lay before him gifts of gold, frankincense, and myrrh, and worship him.
The Adoration of the Magi is an unfinished early painting by the Italian Renaissance artist Leonardo da Vinci. Leonardo was given the commission by the Augustinian monks of San Donato in Scopeto [ it] in Florence in 1481, but he departed for Milan the following year, leaving the painting unfinished.
A Medici commission believed to be the work of Fra Angelico and Fra Filippo Lippi, The Adoration of the Magi (c. 1440/1460) is a colorful depiction of the moment when the three kings, led by a miraculous star, discovered the Christ child.
Jun 29, 2024 · The painting, which Leonardo undertook to finish within 30 months, had the Adoration of the Magi as its subject, i.e., the celebration of the feast of the Epiphany when, according to St Augustine, all people respond to the call of Christ.
The Adoration of the Magi is perhaps one of Leonardo da Vinci's strangest and most fertile compositions. By combining figures of pleading old men and armed horsemen, he transformed a banal biblical subject into a scene from human history.
The Adoration of the Magi. 1609. Oil on canvas. Room 028. The Adoration of the Magi is one of the most important works within the Rubens collection in the Museo del Prado, not only because it is the largest but also because of its historical and technical importance.
Adoration of the Magi c1479-81. This unfinished altarpiece was originally commissioned by the monks of San Donato a Scopeto, a monastery near Florence, in March 1481. Leonardo’s father, who administered the monastery’s finances, may have played a role in obtaining the commission.
Painted in Seville in 1619, The Adoration of the Magi is the largest of Velázquez`s early works and, together with Saint Ildefonso receiving the Chasuble, the one with the most figures, making it one of the artist`s most ambitious compositions to date in his career.
The Adoration of the Magi. 1490. Oil on panel. Not on display. The Virgin Mary sits beside Saint Joseph, holding the newborn Jesus in her lap, while king Melchior kisses the baby´s foot and Casper and Balthasar place their presents on a tray.
The Adoration of the Magi shows the Christ child being adored by the three kings who bore the gifts of gold, frankincense and myrrh. In typical renaissance style, Mary sits centrally in front of the Tree of Life, creating a pyramidal shape which the viewer focuses upon.
