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Cliff Martinez entered the limelight as the drummer for The Red Hot Chili Peppers, Captain Beefheart, The Dickies and Lydia Lunch. In 1989, he decided to leave life on the road to pursue the dream of film scoring in Hollywood. From his humble beginnings with a sampling drum machine and keyboard, he has assembled a state-of-the-art studio in his ...
Jan 27, 2023 · Cliff Martinez (born February 5, 1954) is an American musician and composer. Early in his career, Martinez was known as a drummer notably with the Red Hot Chili Peppers and Captain Beefheart. Since the 1990s he has worked primarily as a film score composer, writing music for Sex, Lies, and Videotape, Drive, Only God Forgives, The Neon Demon ...
Cliff Martinez (born February 5, 1954 in Bronx, New York, raised in Columbus, Ohio) is an American film score composer (who works often with director Steven Soderbergh and Nicolas Winding Refn) and former drummer for Captain Beefheart, The Dickies, The Weirdos and the Red Hot Chili Peppers (1984-1986).
Cliff Martinez (lahir 5 Februari 1954) adalah musisi dan penggubah asal Ameri. Di awal masa kariernya, Martinez dikenal sebagai drummer terutama Red Hot Chili Peppers dan Captain Beefheart. [1] Sejak 1990an dia telah bekerja sebagai penggubah skor film, menulis musik untuk Sex, Lies, and Videotape, Drive, [1] Only God Forgives, [1] The Neon ...
Nov 27, 2014 · Composer Cliff Martinez has carved a reputation as one of the most distinctive film composers in modern cinema. The former Red Hot Chili Peppers and Captain Beefheart drummer has spent the past 25 ...
Sep 12, 2014 · Cliff Martinez at Cannes, 2013. Victoria Stevens. W hen Steven Soderbergh began work on The Knick – his gritty, historical medical series for Cinemax, set in New York City in 1900 – he enjoyed ...
Jan 27, 2023 · A composer who successfully made the transition from high-profile rock drummer to Grammy-nominated film scorer, Cliff Martinez played for the likes of Captain Beefheart, Lydia Lunch, and the Red Hot Chili Peppers in the '70s and '80s before becoming more closely associated with typically unsettling, keyboard-based music for films like Sex, Lies & Videotape (1989), Traffic (2000), and Drive (2011).
