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Mar 28, 2022 · Namit Malhotra is India’s man of the hour at the 2022 Oscars and for good reason. The third generation of a filmmaking family, Malhotra is the Chairman and CEO of DNEG, the VFX pro behind the Oscar-winning film ‘Dune’ at the 94th Academy Awards, which took place on March 27 at 8 PM EST (March 28, 5:30 AM IST) at the Dolby Theatre in Los Angeles.
Feb 13, 2014 · In the wake of Gravity's impressive 10 Oscar nominations—including nods for Best Picture and Best Visual Effects—we spoke with Namit Malhotra, Prime Focus World’s founder and CEO, about ...
Mar 28, 2022 · Not many know that one of the names behind the film’s VFX is a London-based visual effects and animations company, DNEG (Double Negative). And fewer still know that the CEO is Namit Malhotra, of Indian origin. Namit is the son of Bollywood producer Naresh Malhotra and the grandson of cinematographer MN Malhotra.
Apr 2, 2022 · The son of film producer Naresh Malhotra and grandson of cinematographer N M Malhotra, Namit represents the third generation of a Bollywood filmmaking family. His dream of becoming a film director took him towards a computer graphics course and resulted in him recruiting three of his teachers as co-founders of Video Workshop, an editing studio ...
Mar 28, 2022 · Namit Malhotra, one of the biggest Indian successes in Hollywood, is the founder of Prime Focus. The company had modest beginnings in 1997 before it became a powerhouse of integrated media services.
Apr 1, 2022 · DNEG, bags Best Visual Effects Oscar at the 94th Academy Awards ceremony for their on-screen wizardry on Dune. The honour marks DNEG’s seventh Oscar for Best...
Namit Malhotra is a film producer and business executive. Through his production company Prime Focus Studios, he is currently in production on a number of projects, including: 'Ramayana', an ambitious adaptation of epic Indian saga 'Ramayana' in association with Indian actor-producer Yash's production company Monster Mind Creations; 'The Garfield Movie' in partnership with Alcon Entertainment ...
