Search results
Senior British Film Institute team members Editor-at-Large Lizzie Francke, Head of Production Fiona Morham and Head of Editorial Natascha Wharton have announced their decision to leave the BFI Film Fund later this year.
Lizzie Francke. 4.33. 21 ratings3 reviews. The stereotypical Hollywood screenwriter is a smugly macho male pounding away at his typewriter. Yet women have been writing screenplays since the beginning of the silent era. Francke shows how, as the industry grew, screenwriting became virtually the only area in which a woman could play a significant ...
Mar 27, 2023 · As previously announced, the BFI Filmmaking Fund team will transition to a structure as Lizzie Francke, Editor-at-Large, Fiona Morham, Head of Production and Natascha Wharton, Head of Editorial will be leaving the BFI later this year to pursue their own ventures.
Sep 23, 2021 · The speakers are Lizzie Francke, editor-in-large at the BFI Film Fund; Sophie Green, head of acquisitions and development at London-based Bankside Films; and writer/director Corinna Faith, whose ...
Lizzie Francke is known as an Executive Producer and Thanks. Some of her work includes You Were Never Really Here, Triangle of Sadness, This Is England, '71, Control, 45 Years, Lady Macbeth, and Aftersun.
Lizzie Francke is the author of Script Girls (4.33 avg rating, 21 ratings, 3 reviews, published 1994), Ratcatcher (3.47 avg rating, 19 ratings, 0 reviews...
Jun 2, 2017 · As Julie Dash’s rare masterpiece returns to cinemas as the centrepiece of Sight & Sound’s latest Deep Focus season Visions of the Black Feminine, here’s Lizzie Francke’s original review of this “balletic, operatic… elemental” film, from our September 1993 issue. ☞ The black feminine on screen: 11 key auteurs
