Yahoo Malaysia Web Search

Search results

  1. The movie is loosely based on the real-life disappearance (and supposed murder) in 1982 of Kathleen "Kathie" McCormack Durst (played by Kirsten Dunst and renamed Katherine "Katie" McCarthy Marks). Her husband Robert Durst (played by Ryan Gosling and renamed David Marks) was a prime suspect, but he was never charged with anything.

  2. Ending Explained. In the movie "All Good Things," directed by Andrew Jarecki, the ending reveals the culmination of the mysterious and dark events surrounding the life of David Marks, portrayed by Ryan Gosling. The film, inspired by real-life events, follows David's tumultuous relationship with his wife, Katie, played by Kirsten Dunst, and her ...

  3. Dec 10, 2010 · By Betsy Sharkey, Los Angeles Times Film Critic. Dec. 10, 2010 12 AM PT. “All Good Things,” a twisted mystery starring Kirsten Dunst and Ryan Gosling, is a stretch. A better name might have ...

  4. All Good Things. 2010. R CC. Magnolia Pictures English 1h 41m. movie. (1002) Cast Ryan Gosling, Kirsten Dunst, Frank Langella, Kristen Wiig, Nick Offerman, Lily Rabe. Director Andrew Jarecki. This psychological thriller was inspired by the 1982 disappearance of Kathie McCormack, wife of real estate heir Robert Durst.

  5. Dec 2, 2010 · By. Ian Buckwalter. A Dark Future: David Marks (Ryan Gosling) and Katie (Kirsten Dunst) embark on an initially happy romance; they marry and run a health food store, but then their lives skid into ...

  6. All Good Things. 35% Mystery 2010. R. 1h 40m. The marriage between the heir to a real-estate fortune and a woman of modest means goes south after the husband returns to work for his demanding father. Ryan Gosling, Kirsten Dunst, Frank Langella. Get Started.

  7. Nov 28, 2010 · Review: All Good Things. Notably uneven, All Good Things ’s early scenes suggest an intriguing look at the power structures of 1970s New York. When a filmmaker lenses a thriller based on an unsolved criminal case, he has to confront the imposing challenge of somehow compensating for the lack of closure that the genre demands.