Yahoo Malaysia Web Search

Search results

  1. 1 day ago · 78/52: Hitchcock’s Shower Scene directed by Alexandre O. Philippe 2017 | 1hr 31min. Showering has unfortunately never been the same after watching Alfred Hitchcock’s Psycho. This might be why I now stick to documentaries to get my scares. This one pulls back the (shower) curtain on this influential moment and how it was a game-changer in ...

  2. 4 days ago · The scene was the subject of Alexandre O. Philippe's 2017 documentary 78/52: Hitchcock's Shower Scene, the title of which references the putative number of cuts and set-ups, respectively, that Hitchcock used to shoot it. [96] [97]

  3. 5 days ago · It hurt us to cut the shower scene from "Psycho," the low-key chills of "Rosemary's Baby," and anything from the classic Universal Monster movies.

  4. 4 days ago · As in many Hitchcock films, it features the 'best' of whatever in the time frame it was shot. Of course Cary Grant came out of that upper berth unscathed. After all, he gets dragged, drunked, chased by a plane, and only needed his suit 'sponged and pressed' after two days of that to go another day in the same suit, without even a change of shirt!

  5. 3 days ago · In the beginning it seems that the beautiful Marion Crane (Janet Leigh) is the protagonist, but Hitchcock resolves her peril halfway through the picture by killing her off in the famous shower scene, leaving the audience alone with the lunacy of Norman Bates (Anthony Perkins).

  6. 5 days ago · This 1960 classic suspense thriller by Alfred Hitchcock takes place in the infamous shower scene. The main character Marion Crane steals money from her boss. While on the run, she encounters bad weather and decides to spend the night at the Bates Hotel — deciding to return the money the next day.

  7. 1 day ago · Halloween (advertised as John Carpenter's Halloween) is a 1978 American independent slasher film directed and scored by John Carpenter, who co-wrote it with its producer Debra Hill. It stars Donald Pleasence, Jamie Lee Curtis (in her film debut), P. J. Soles, and Nancy Loomis.