Yahoo Malaysia Web Search

Search results

  1. 3 days ago · This paper focuses on two films, Germany Year Zero and Hiroshima Mon Amour , which serve as testimonies to the postwar status of Berlin and Hiroshima, offering magnificent topological touches of traumatized cities and profound insights into the intersection of cities and trauma. Through their narratives, these films intricately explore the interplay between the interiorized exterior and the ...

  2. 4 days ago · By 1959, the waters of French film were churning, and not simply because of Cahiers’ growing critical influence or watershed breakthroughs like Hiroshima Mon Amour, which daringly dropped a romance between a French woman and a Japanese man—both married—within the backdrop of a post-war Hiroshima living with the horrific physical and ...

  3. 5 days ago · 409件のレビュー (口コミ感想評価)、内容ネタバレあらすじ予告編予告動画公開映画館情報公開スケジュール監督出演者の関連映画情報。. アランレネ監督エマニュエルリヴァ出演。. 冒頭 原爆の記録映像にショックを受けた 戦後 ...

  4. en.wikipedia.org › wiki › Jan_LintonJan Linton - Wikipedia

    Entitled Planet Japan, it was in a rock/cyberpunk style (such as a cover version of the John Foxx-period Ultravox! song "Hiroshima Mon Amour"), and the controversial subject matter — Linton's occasionally bitter experiences in Tokyo — caused a slight stir in the Japanese media. [3]

  5. 5 days ago · La Pointe Courte had its brief run in 1955, four years before the 1959 releases of Truffaut’s The 400 Blows and Resnais’ Hiroshima Mon Amour, widely considered the first New Wave films. The exclusion of Varda as a filmmaker of the movement was one of her first erasures from film history.

  6. 5 days ago · Resnais broke out internationally in 1959, just a couple years prior to this film, with Hiroshima Mon Amour. That work and Marienbad would cement his status among auteurs as having crafted two of the medium’s most indelible, enduring and influential works, which still resonate today. Video: 4/5 3D Rating: NA

  7. 4 days ago · Its eponymous middle section, a collection of numbered fragments, ostensibly about screening the film Hiroshima, Mon Amour with an anonymous auditor, is also a series of numbered grenades lobbed at all the many-sided meaning-making pretensions of poetry itself, and therefore, if not blowing up, at least disavowing the entire mission of this ...