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3 days ago · Shawn Glinis. Jul 05, 2024. The most famous quote about Tblisi-born filmmaker Rouben Mamoulian, a name not often thrown around in contemporary cinephilia, is a bittersweet one. It comes from Andrew Sarris’ seminal book, The American Cinema, where the critic called him “an innovator who ran out of innovations” and placed him in his ...
3 days ago · In addition to the two mentioned above, three other films will complete the contingent of American film restorations: Bend of the River, rightly considered one of Anthony Mann’s masterpiece westerns, the luxuriant Technicolour of Blood and Sand by Rouben Mamoulian, and Model by Fred Wiseman, whom the New York Times did not hesitate to call ...
3 days ago · In addition to the two mentioned above, three other films will complete the contingent of American film restorations: Bend of the River, rightly considered one of Anthony Mann’s masterpiece westerns, the luxuriant Technicolour of Blood and Sand by Rouben Mamoulian, and Model by Fred Wiseman, whom the New York Times did not hesitate to call ...
3 days ago · Why black and white in French Dispatch? Despite originally intending to shoot most of The French Dispatch in colour, after viewing the black-and-white test shots in the edit room, Anderson and Yeoman were drawn to the “striking look, grain, and contrast” of the Kodak Double-X 5222 stock, inspiring them to shoot more of the film in monochrome.
2 days ago · Synopsis Arriving in cinema when synchronized sound had just been adopted, director Rouben Mamoulian demonstrated key early methods for making sound aid storytelling, for giving films a crisper sense of rhythm, for creating musicals set in backstage, fairy-tale, and folk environments, for providing intricate and arresting colour palettes, and for rendering sexual content more palpable under ...
3 days ago · Blood And Sand (US) dir. Rouben Mamoulian. Bend Of The River (US) dir. Anthony Mann. All Mixed Up (Jap) dir. Yasuzo Masumura. Ecce Bombo (It) dir. Nanni Moretti.
3 days ago · di ROUBEN MAMOULIAN (USA, 1941, 125’, colore) restauro: Walt Disney Studios / The Film Foundation. BEND OF THE RIVER (LÀ DOVE SCENDE IL FIUME) di ANTHONY MANN (USA, 1952, 91’, colore)
