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2 days ago · Cinematographer Seamus McGarvey explained that he chose a 1.85:1 aspect ratio to accommodate the varying heights of the main characters. He said, "Shooting 1.85:1 is kind of unusual for an epic film like this, but we needed the height in the screen to be able to frame in all the characters like Hulk, Captain America and Black Widow, who is much ...
4 hours ago · The Seamus McGarvey Award for Best Cinematography was presented to Daniel Sedgwick for his work on We Beg To Diffe r. The Best in Louth and Audience Choice Awards were both won by Laoch: ...
1 day ago · The 2024 Louth International Film Festival culminated in the announcement of this year’s exceptional winners: Best Feature Film: The Kiss of Death Director Terry McMahon shared his feelings on winning Best Feature Film: "A wonderful festival run by an incredible team, to witness the work of the Nigerian cast and crew on The Kiss of Death being celebrated with the Best Film award was ...
1 day ago · The Seamus McGarvey Award for Best Cinematography was presented to Daniel Sedgwick for his work on We Beg To Differ. The Best in Louth and Audience Choice Awards were both won by Laoch: Defy the Odds while the Best Student Film went to All I Have to Say. Newspapers in English Newspapers from Ireland. PressReader. Work with us; Blog; Help center
4 days ago · The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work on one particular motion picture. History. Charles Rosher, the first recipient in 1928.
5 days ago · Seamus McGarvey Anna Karenina: Nominated Roger Deakins Skyfall: Nominated 2013 Prisoners: Nominated 2014 Dick Pope Mr. Turner: Nominated Roger Deakins Unbroken: Nominated 2015 Sicario: Nominated 2017 Blade Runner 2049: Won 2019 1917: Won 2020 Sean Bobbitt: Judas and the Black Messiah: Nominated Bobbitt is an American-born British ...
2 days ago · Films : - All the President’s Men et Klute (d’Alan J.Pakula, photographié par Gordon Willis, ASC) - The Yards (de James Gray, photographié par Harris Savides, ASC) - Nocturnal Animals (de Tom Ford, photographié par Seamus McGarvey, BSC) - Il Divo (de Paolo Sorrentino, photographié par Luca Bigazzi) Photos : - Ray Metzker (contraste et cadrage)
