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  1. 20 hours ago · From left to right, Josef Albers, Hinnerk Scheper, Georg Muche, Laslo Moholy Nagy, Herbert Bayer, Joost Schmidt, Walter Gropius, Marcel Breuer, Wassily Kandinsky, Paul Klee, Lyonel Feininger, Gunta Stözl and Oskar Schlemmer, at the headquarters of the Bauhaus in Weimar, around 1920. Apic (Bridgeman/Getty Images)

  2. 20 hours ago · In his proclamation of the Bauhaus school in 1919, Gropius advocates for an organic reunification of architecture, painting, and sculpture accompanied by Lyonel Feininger’s woodcut, where interlacing rays join in a mountainous edifice, strikingly similar to Bruno Taut’s treatise drawings of an “Alpine Architecture,” published a little ...

  3. 3 days ago · As early as 1930, authorities had ordered the removal of over 70 works by artists such as Lyonel Feininger and Paul Klee from the Weimar Castle Museum. In 1937, more than 450 works were confiscated – a cultural loss to Weimar’s collections that is still felt today.

  4. 1 day ago · Lyonel Feininger; Alexej von Jawlensky; Paul Klee; The first four, in particular (Kandinsky, Münter, Marc, von Werefkin) form the core of the show, works by them appearing in virtually every room. The exhibition’s ten big rooms are in loose chronological order so one aspect of strolling through them is to watch the development of these major ...

  5. 4 days ago · This concentration is not necessarily a flaw, but rather points to the potential scope of this territory, Najarian being clear from the start that there are inevitable gaps- a number of which, including the work of key figures like Lyonel Feininger, are specified early on (Najarian 2024a:9).

  6. 3 days ago · Im Bauhaus Museum geht es unter der Überschrift „Abgehängt – Beschlagnahmt – Angepasst 1930/1937” um die Beschlagnahme der „entarteten Kunst“ 1937 und um ihre Vorläuferaktion in Weimar: Bereits 1930 mussten über 70 Werke von Künstlern wie Lyonel Feininger und Paul Klee aus dem Schlossmuseum entfernt werden. Über 450 Werke ...

  7. 4 days ago · How does Lyonel Feininger create the illusion of depth in his painting, Barfüsserkirche II (Church of the Minorities II)? (site 1) Click the card to flip 👆. Answer: The church in the background of this painting is gray and fuzzy compared to the rich colors of the building in the foreground.

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