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1 day ago · Joining Carrie Cracknell in the creative team of The Grapes of Wrath are Set Designer Alex Eales; Costume Designer Evie Gurney; Lighting Designer Guy Hoare; Movement Director Ira Mandela Siobhan; Sound Designer Donato Wharton; Composer Stuart Earl; Original Songs by Maimuna Memon; Casting Director Alastair Coomer CDG and Naomi Downham; Music Director Osnat Schmool; Fight Director Kate Waters ...
2 days ago · The National Theatre has today released rehearsal images ahead of a new production of Frank Galati’s Tony Award-winning adaptation of The Grapes of Wrath, coming to the Lyttelton theatre from 17 July to 14 September. Directed by Carrie Cracknell ( Julie, The Deep Blue Sea) and based on the acclaimed novel by John Steinbeck, The Grapes of ...
3 days ago · Acclaimed English director Carrie Cracknell brings a vital new production of one of opera’s most enduringly powerful works, reinvigorating the classic story with a staging that moves the action to the modern day and finds at the heart of the drama issues that could not be more relevant today: gendered violence, abusive labor structures, and ...
5 days ago · The Depression-era story of the Joad family’s westward journey is back once again, this time directed by Carrie Cracknell, whose triumphs at this same address include The Deep Blue Sea and Medea ...
2 days ago · Michael Biehn, Paul Reiser, Lance Henriksen, and Carrie Henn are featured in supporting roles. Despite the success of Alien, its sequel took years to develop due to lawsuits, a lack of enthusiasm from 20th Century Fox, and repeated management changes.
4 days ago · And secondly, Carrie Cracknell helms a new staging of Frank Galati’s Tony Award-winning adaptation of The Grapes of Wrath, based on the novel by John Steinbeck, with Cherry Jones as Ma Joad. The Hot Wing King begins performances in the Dorfman Theatre on 11 July and The Grapes of Wrath begins performances in the Lyttelton Theatre from 17 July.
1 day ago · Directed by Carrie Cracknell and with sets designed by Michael Levine the staging had its ups and downs. Act I was a humdrum affair staring at the back of a factory, a gang of ne’er-do-well men ...
