Yahoo Malaysia Web Search

Search results

  1. 4 days ago · Good Kid, M.A.A.D City is the second studio album by the American rapper Kendrick Lamar. It was released on October 22, 2012, by Top Dawg Entertainment, Aftermath Entertainment and Interscope Records. The album features guest appearances from Drake, Dr. Dre, Jay Rock, Anna Wise and MC Eiht.

  2. 2 days ago · Through his lyrics, he challenges societal norms, sparks conversations, and inspires individuals to take action. In conclusion, Kendrick Lamar’s music is more than just entertainment; it is a powerful form of social commentary. Through his thought-provoking lyrics, Lamar addresses racism, poverty, self-reflection, empowerment, and unity.

  3. 16 hours ago · Alford recorded back-up vocals on Lamar's 2015 album "To Pimp a Butterfly." She appears on the tracks "Wesley’s Theory" and "King Kunta."

  4. 1 day ago · "To Pimp a Butterfly" (Kendrick Lamar) for Best Rap Album in 2016 As this list has proven, some years have stronger nominees than others, but to that end, some categories are just built differently.

  5. 3 days ago · Mike Will Made It. Music video. "DNA" on YouTube. " DNA " (stylized as " DNA. ") is a song by American rapper Kendrick Lamar from his fourth studio album Damn. Despite not being released as a single, the song received support at rhythmic radio after its official music video was released. [2] The second track on the album (thirteenth on the ...

  6. 1 day ago · By D.M. Jul. 24 2024, Published 3:27 a.m. ET. Long before they became rap icons, Kendrick Lamar, Ab-Soul, ScHoolboy Q, and Jay Rock were a part of the rap supergroup Black Hippy. The collective was formed in 2008 and helped springboard the careers of the MCs involved. Black Hippy emerged from the depths of Los Angeles' underground hip-hop scene.

  7. 3 days ago · As social networks went berserk rehashing Beyoncé or Kanye, the Black Lives Matter-inspired masterpiece by rapper Kendrick Lamar (To Pimp a Butterfly), or that goofy new Drake video, it seemed apparent, if largely unspoken, that the major inheritors of cultural ambitions distilled from rock and roll into rock were African Americans.