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  1. tune-yards.comTune-Yards

    watch nowhere man. watch hold yourself. sketchy. out now. buy/stream. tour dates.

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  3. en.wikipedia.org › wiki › Tune-YardsTune-Yards - Wikipedia

    Tune-Yards (stylized as tUnE-yArDs) is the American, Oakland, California–based music project of Merrill Garbus and Nate Brenner. Garbus's music draws from an eclectic variety of sources and uses elements such as loop pedals, ukulele, vocals, and lo-fi percussion.

  4. www.youtube.com › @tuneyardsTune-Yards - YouTube

    The official tune-yards YouTube channel. New album 'sketchy.' out March 26: https://tuneyards.ffm.to/sketchy

  5. Images

    • Tune-Yards announces new album, shares “Look at Your Hands,” adds 2018 ...
    • Tune-Yards enjoying success without compromise
    • tUnE-yArDs Has Become Too Quirky for Her Own Good | NOISEY
    • tUnE-yArDs perform live in The Current studio | The Current
    • Watch: tUnE-yArDs plays 8-minute new song live with Symposium Singers ...

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  6. www.youtube.com › watchTune-Yards - hold yourself. (Official Video) - YouTube

    Tune-Yards - hold yourself. (Official Video) New album 'sketchy.' out now - https://tuneyards.ffm.to/sketchy Video by Basa Directed by Diego Huacuja T. Producer: Melissa Lopez Ley Character...

  7. www.youtube.com › watchtUne-yArDs: NPR Music Tiny Desk Concert - YouTube

    Feb 17, 2017 · With loop pedals and an irrepressible voice, tUnE-yArDs' Merrill Garbus makes powerful and danceable songs that spring to life before your eyes. Watch Garbus...

  8. pitchfork.com › reviews › albumsTune-Yards: I Can Feel You Creep Into My Private Life

    Jan 23, 2018 · Tune-Yards. 2018. 6.2. By Laura Snapes. Genre: Pop/R&B. Label: 4AD. Reviewed: January 23, 2018. On her confrontational fourth album, Merrill Garbus wades into the politics of being white in...

  9. 4ad.com › artists › tuneyardsTune-Yards - 4AD

    From 2009 to 2018, Tune-Yards (both Merrill and her partner and collaborator Nate Brenner) released four critically acclaimed albums, traveled the world relentlessly to play live shows, and composed the psychedelic score to Boots Riley's surrealist cinematic masterpiece Sorry To Bother You.