Yahoo Malaysia Web Search

Search results

  1. Sep 5, 2011 · Soon, Pagano accepted the job of adapting the book into a screenplay for producer Robert Stillman. The resulting film that Pagano and director Cy Endfield delivered, THE SOUND OF FURY, was a masterpiece, a dark and serious look at American society in the post-war era.

  2. The Man I Love is a 1947 American film noir melodrama directed by Raoul Walsh and starring Ida Lupino, Robert Alda, Andrea King and Bruce Bennett. Produced and distributed by Warner Brothers, the film is based on the novel Night Shift by Maritta M. Wolff.

  3. Screenplay: Jo Pagano, Catherine Turney, W.R. Burnett, Maritta Wolff (novel) Cinematography: Sidney Hickox Film Editing: Owen Marks Art Direction: Stanley Fleischer Music: Max Steiner Cast: Ida Lupino (Petey Brown), Robert Alda (Nicky Toresca), Andrea King (Sally Otis), Martha Vickers (Virginia Brown), Bruce Bennett (San Thomas), Alan Hale (Riley).

  4. Jan 31, 2022 · All dialogue is quoted from The Man I Love (Warner Bros., 1946), screenplay by Catherine Turney; adaptation by Jo Pagano and Catherine Turney from the novel Night Shift by Maritta Wolff. ↩; Jim Kitses, Horizons West: Anthony Mann, Budd Boetticher, Sam Peckinpah: Studies of Authorship within the Western (Indiana University Press, 1970) ↩

  5. Visit the movie page for 'The Man I Love' on Moviefone. Discover the movie's synopsis, cast details and release date. Watch trailers, exclusive interviews, and movie review. Your guide to this ...

  6. Back in his hometown after failing to find work in a neighboring California city, we learn more about Howard (Frank Lovejoy), with wife Judy (Kathleen Ryan) and son Tommy (Donald Smelick), early in Try And Get Me!, 1951, from a novel and screenplay by Jo Pagano.

  7. Mar 4, 2013 · Pagano would adapt his novel into the screenplay The Sound of Fury (Fritz Lang’s film Fury (1936) is based on the same shocking event). Director Cyril “Cy” Endfield delivered a career-defining one-two punch in 1950 with a pair of atmospheric and unflinching films indicting the sociopolitical decline of post-war American society.