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Ranjan Ghosh ( Bengali: রঞ্জন ঘোষ Rônjôn Ghosh) is a Bengali filmmaker based out of Kolkata, India. He had risen to prominence with the release of Aparna Sen 's Bengali feature film Iti Mrinalini, by becoming the first and the only screenwriter, the acclaimed actor-director had collaborated with in her illustrious career till ...
Ranjan Ghosh is an Indian academic and thinker who teaches at the Department of English, University of North Bengal, India. His wide-ranging scholarly work spans across the fields of comparative literature, comparative philosophy, philosophy of education, environmental humanities, critical and cultural theory, and Intellectual history.
Ranjan Ghosh is an Indian academic and thinker who teaches at the Department of English, University of North Bengal, India. His wide-ranging scholarly work spans across the fields of comparative literature, comparative philosophy, philosophy of education, environmental humanities, critical and cultural theory, and Intellectual history.
Ranjan Ghosh is an Indian academic and thinker who teaches at the Department of English, University of North Bengal, India. His wide-ranging scholarly work spans across the fields of comparative literature, comparative philosophy, philosophy of education, environmental humanities, critical and cultural theory, and Intellectual history.
Ranjan Ghosh is an Indian academic and thinker who teaches at the Department of English, University of North Bengal, India. His wide-ranging scholarly work spans across the fields of comparative literature, comparative philosophy, philosophy of education, environmental humanities, critical and cultural theory, and Intellectual history.
Jan 5, 2024 · In The Plastic Turn, Ranjan Ghosh posits plastic as the defining material of our age and plasticity as an innovative means of understanding the arts and literature. Joff Bradley welcomes this innovative philosophical treatise on how we can make sense of the modern world through a plastic lens.
Introducing several new concepts (like plastic literature, plastic literary, etc.) into critical-humanist discourse, Ghosh enmeshes literature and theory, materiality and philosophy, history and ecology, to explore why plastic as a substance and as an idea intrigues, disturbs, and haunts us.
