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Sir Anish Mikhail Kapoor, CBE, RA (born 12 March 1954) is a British-Indian sculptor specializing in installation art and conceptual art. Born in Mumbai , [3] [4] Kapoor attended the elite all-boys Indian boarding school The Doon School , before moving to the UK to begin his art training at Hornsey College of Art and, later, Chelsea School of ...
Breathing Object. Equipe. Yorkshire Sculpture Park 2012. Lisson Gallery 2012. In the shadow of the tree and the knot of the earth. Studio timelapse. De Pont Museum of Contemporary Art 2012–2013. Anish Kapoor Objects. Leeum, Samsung Museum of Art 2012–2013.
Jul 16, 2024 · Anish Kapoor (born March 12, 1954, Bombay [now Mumbai], India) is an Indian-born British sculptor known for his use of abstract biomorphic forms and his penchant for rich colours and polished surfaces.
Sir Anish Kapoor, CBE RA is a British-Indian sculptor born in Bombay in March 12, 1954. Famous for his use of abstract biomorphic forms and his penchant for rich colours and polished surfaces, he was the first living artist to be given a solo show at the Royal Academy of Arts in London. 1000 Names.
Sir Anish Mikhail Kapoor, (born 12 March 1954) is a British-Indian sculptor specializing in installation art and conceptual art. Born in Mumbai, Kapoor attended the elite all-boys Indian boarding school The Doon School, before moving to the UK to begin his art training at Hornsey College of Art and, later, Chelsea School of Art and Design.
Nov 7, 2023 · Anish Kapoor’s legacy in contemporary art is profound and multifaceted. He has redefined the possibilities of sculpture, pushing the boundaries of form, space, and materiality. His ability to evoke visceral emotional responses through his work has left an enduring mark on the art world.
Anish Kapoor transformed the cool, conceptual, and minimal approach to sculpture by adding lyricism, metaphor, and the heat of the primordial. Objects spill out from their own parameters suggesting an excess of emotion, yet they also stand serenely as in meditative focus for ritual.
