Yahoo Malaysia Web Search

Search results

  1. May 31, 2024 · Luc Besson, the iconic French filmmaker, has entertained audiences around the world with his unique blend of action, fantasy, and suspense. From his early breakout film, “La Femme Nikita,” to his box office hits like “Leon: The Professional” and “The Fifth Element,” Besson has left an indelible mark on the world of cinema.

  2. Lucy is a 2014 English-language French science fiction action film [5] written and directed by Luc Besson for his company EuropaCorp, and produced by his wife, Virginie Besson-Silla. It is an English-language film shot in Taipei, Paris, and New York City. It stars Scarlett Johansson, Morgan Freeman, Choi Min-sik, and Amr Waked.

  3. Earlier that very day, the news broke that a young actress had filed a complaint with police accusing French filmmaker Luc Besson of “a violent sexual assault.” The woman, who wishes to remain...

  4. Aug 11, 2017 · All 17 Luc Besson Movies Ranked From Worst To Best. Posted on August 11, 2017 by Rob Williams. So many fingers, so many pies, it sometimes seems like Luc Besson is everywhere! There are, quite literally, scores of films that he has been involved with: as writer, as director, and as various types of producer.

  5. en.wikipedia.org › wiki › Luc_BessonLuc Besson - Wikipedia

    Luc Paul Maurice Besson (French: [lyk bɛsɔ̃]; born 18 March 1959) is a French filmmaker. He directed or produced the films Subway (1985), The Big Blue (1988), and La Femme Nikita (1990). Associated with the Cinéma du look film movement, he has been nominated for a César Award for Best Director and Best Picture for his films Léon: The ...

  6. Apr 14, 2011 · For more than a decade, Luc Besson had been saying he would only direct 10 films in his life, and he had reached his quota.

  7. Essays on Luc Besson is a welcome addition to the relatively small amount of literature dedicated to one of contemporary Europe's most influential filmmakers and, perhaps more relevantly, one of world cinema's more powerful producers. As such, the book should be of interest not only to French film scholars, but also to those working in fields ...