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Excerpt from 1979 PBS show "Previn & The Pittsburgh", Miklos Rozsa conducts his suite from "Ben Hur" (1959), with The Pittsburgh Symphony Orchestra.This clip...
MIKLÓS RÓZSA ** HIS OEUVRE ** THE SOCIETY ** FEATURES ** RELATED SITES ** AUDIO ** DISCUSSION FORUM ** ☆ New Concerts Feb-Mar, Edmonton,Ben-Hur Choral 11 May. Barcelona. Julius Caesar 19 Mar. London,Toccata Capricciosa Dec 27.Lithuania. The Mystical Theremin. Apr 6,Toronto.Piano Quintet ...
El Cid. El Cid (1961) remains one of Miklós Rózsa’s most revered scores, written in the glorious orchestral style he employed on other historical epics like Knights of the Round Table and Ben-Hur.Rózsa’s music for the legend of Rodrigo Díaz de Vivar is endlessly thematic: the score’s closely knit ideas are reverent toward the titular hero, fiercely romantic for the love story between ...
Miklós Rózsa. Hungarian-born composer best known for his film scores. Born April 18, 1907, Budapest, Austro-Hungarian empire. Died July 27, 1995, Los Angeles, California, USA. Rózsa was a child prodigy and studied the violin from the age of five and went to Leipzig to study music at the Leipzig Conservatory with Hermann Grabner in 1926.
Hungarian composer Miklós Rózsa (1907-1995) was one of the top film composers of all time. A gifted student of Bartók and Kodály, Rózsa moved to England on the suggestion of Arthur Honegger and got his first jobs scoring films for the Kordas, including The Thief of Baghdad (1940), earning Rózsa his first Oscar nomination; he eventually won three.
27 Jul 1995 · Miklós Rózsa or Miklos Rozsa (18 April 1907 – 27 July 1995) was a Hungarian-born composer and conductor, best known for his numerous film scores. Along with such composers as Bernard Herrmann, Erich Wolfgang Korngold, Alfred Newman, Max Steiner and Franz Waxman, Rózsa is considered to be one of the "founding fathers of film music. ...
Miklós Rózsa was a Hungarian-American composer trained in Germany and active in France, the United Kingdom, and the United States, with extensive sojourns in Italy from 1953 onward. Best known for his nearly one hundred film scores, he nevertheless maintained a steadfast allegiance to absolute concert music throughout what he called his "double life".
