![Snow White: A Tale of Terror [Original Motion Picture Soundtrack]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7 "Snow White: A Tale of Terror [Original Motion Picture Soundtrack]")
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John Ottman is an American film composer, director, and editor who has worked on many of Bryan Singer's films, including X-Men and Bohemian Rhapsody. He won the Academy Award for Best Film Editing for Bohemian Rhapsody in 2019.
John Ottman is a versatile filmmaker who has composed and edited many acclaimed movies, such as The Usual Suspects, X-Men 2, and Bohemian Rhapsody. He has also produced, directed, and written music for some of his projects, and received several awards and nominations.
John Ottman. Actor: Bohemian Rhapsody. John Ottman holds dual distinctions as a leading film composer and an award winning film editor. Ottman has often completed both monumental tasks on the same films. Such remarkable double duties have included The Usual Suspects, X-Men 2, Superman Returns, Valkyrie, and Jack the Giant Killer.
He is best known for collaborating with director Bryan Singer, composing and/or editing many of his films, including Public Access, The Usual Suspects, Superman Returns,...
John Ottman (born July 6, 1964) is an American film composer and editor. He is best known for collaborating with director Bryan Singer, composing and/or editing many of his films, including Public Access (1993), The Usual Suspects (1995), Superman Returns (2006), Valkyrie (2008) and Jack the Giant Slayer (2013), as well as the X-Men film series.
Dec 11, 2021 · John Ottman, a composer and editor of X-Men and Bohemian Rhapsody, talks about his first Star Trek directing experience and the challenges of shooting in a rock quarry and a university. He praises Mary Wiseman as a filmmaker-actor and shares his vision for the episode.
Feb 24, 2019 · John Ottman, who recently won his first ACE Eddie Award for 20th Century Fox’s Bohemian Rhapsody, made the cut again by winning the film editing Oscar on Sunday. The Eddies have a...
