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Sep 7, 2021 · Through his company, the Paris-based Composite Films, Samuel François-Steininger has developed a well-deserved reputation as a leader in the field of colourising black-and-white archival footage. His impressive list of credits includes his collaboration with the NFSA and Stranger Than Fiction Films on the award-winning series Australia in ...
Sep 7, 2021 · Samuel François-Steininger from Composite Films performed the colorization, according to an NFSA press release. The project required high tech, meticulous research, and a dash of artistry.
Sep 9, 2021 · François-Steininger explained that he and his team relied on preserved skins found in museums, as well as sketches and paintings to guide the colorization process. This is because no color...
Sep 7, 2021 · “These descriptions, combined with scientific drawings, and recent 3D colour renderings of the animal, meant we were able to get a clear idea of what the thylacine’s fur should look like,” says lead colourist Samuel François-Steininger.
Sep 9, 2021 · The film and negative are in the NFSA's collection, and the negative was recently scanned at 4K resolution (horizontal resolution of at least 4,000 pixels) and then colorized under the supervision...
Sep 8, 2021 · The National Film and Sound Archive of Australia (NFSA), which collects, preserves, and shares Australia’s audiovisual culture, released the 1-minute video this week after it was colorized by...
Sep 8, 2021 · This was then sent to Composite Films in Paris, where Samuel François-Steininger and his team recreated the creature’s color in painstaking detail.
