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  1. www.jobytalbot.comJOBY TALBOT

    Joby Talbot is a composer of music for concert, stage and screen.

  2. Joby Talbot was born in London in 1971. He studied composition privately with Brian Elias and at Royal Holloway and Bedford New College, before completing a Master of Music (Composition) at the Guildhall School of Music and Drama under Simon Bainbridge.

  3. CONCERT WORKS. Genus Quartet | 2013, 10'. String quartet. Adapted from Talbot's 2007 work of the same name — a 45-minute electro-acoustic dance score for Wayne McGregor and the Paris Opera Ballet — for Los Angeles' acclaimed Calder Quartet. Meniscus | 2012, 9'.

  4. Gallery Excerpts Media Press Reviews. Alice’s Adventures in Wonderland is Christopher Wheeldon’s ballet adaptation of the beloved classic of children’s literature by Lewis Carroll.

  5. With Joby Talbot’s inventive score driving the action and setting the mood, shifting gear from cod-Tchaikovsky to Bernard Hermann hysteria and from thundering Stravinsky to lush Rogers and Hammerstein with ease, this romps along, building scene after scene of breathtaking invention.

  6. Contact—JOBY TALBOT. For general questions or comments only, please use the contact form. For any queries pertaining to permissions, licensing, performance materials, commissions or media, please contact the following representatives as appropriate: CONCERT/STAGE. Gill Graham - gill.graham@wisemusic.com.

  7. Jun 2, 2022 · Joby reunites with choreographer Christopher Wheeldon and designer Bob Crowley to present their third full-length narrative ballet for The Royal Ballet, a co-commission with American Ballet Theatre based on Mexican author Laura Esquivel’s best-selling novel Like Water For Chocolate.

  8. Details and press on Joby’s second major collaboration with choreographer Christopher Wheeldon.

  9. JOBY TALBOT. Composer. Home. About. Selected Works. Calendar. Contact. Works in each category are listed in descending chronological order. For more detailed information on any work, please visit Music Sales Classical.

  10. Talbot's music is a wonder... it is almost unclassifiable. He doesn't just break the rules of opera writing; he completely ignores them. He relegates such traditions to a display case in some musical museum — archaic and useless in today's theatrical world... It is a triumph.