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Bernard Robinson (born 1912 in Liverpool, England, died 1970) designed sets for several of Hammer's films in their heyday, including The Curse of Frankenstein (1957), Abominable Snowman of the Himalayas (1957), Dracula (1958), Curse of the Werewolf (1960), The Phantom of the Opera (1962), The Gorgon (1964) and Quatermass and the Pit (1968).
Bernard Robinson. Production Designer: Horror of Dracula. Liverpool-born artist, who spent the 1930's working for Warner Brothers at Teddington Studio as a draughtsman. After gaining promotion to art director, he joined Alexander Korda at London Films, working out of Denham Studios.
Bernard Robinson. Production Designer. Bernard William Robinson was born on 27 July 1912 in Liverpool, England. In the 1930’s Bernard worked as a draughtsman for Warner Brothers at Teddington Studios. After gaining promotion to art director, he joined London Films, working out of Denham Studios.
His career was interrupted by wartime service and did not resume fully until 1956, when he joined Hammer Films as a production designer. Robinson soon acquired a reputation for creating a lavish look, given the limited budgets and cramped facilities at Hammer's Bray studio.
Oct 14, 2016 · According to author Laurie N. Ede, in her British Film Design: A History, not only Lee but also co-star Peter Cushing, producer Anthony Hinds, and screenwriter Jimmy Sangster “considered Robinson to be the real star at Bray [Studios].”
His career was interrupted by wartime service and did not resume fully until 1956, when he joined Hammer Films as a production designer. Robinson soon acquired a reputation for creating a lavish look, given the limited budgets and cramped facilities at Hammer's Bray studio.
Bernard Robinson - Liverpool-born artist, who spent the 1930's working for Warner Brothers at Teddington Studio as a draughtsman. After gaining...
