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Jun 10, 2020 · What follows is a summary of conversations with CED Emeritus Professor Michael Dear, including a contribution from Marie-José Sanselme, a long–time collaborator of Amos Gitai. The conversations were edited by Michael Dear. “You cannot make a progressive film within a reactionary form.”
Munio Weinraub. Website. amosgitai.com. Amos Gitai is an artist and an Israeli filmmaker, born 11 October 1950 in Haifa, Israel. Gitai's work was presented in several major retrospectives in Pompidou Center in Paris, the Museum of Modern Art (MoMA) and Lincoln Center in New York, and the British Film Institute in London.
Amos Gitaï et Marie-José Sanselme. The creative process : contradictions, ethics, (re)interpretations. Thursday 6 June 2019. Amphithéâtre Marguerite de Navarre, Site Marcelin Berthelot. Open to all. 16:00 - 16:30. Listen to audio. Session chaired by : Laurent Roth, author and director. Marie-José Sanselme is a screenwriter and translator.
Oct 8, 2024 · House tells the story of a West Jerusalem House during a quarter of a century through the stories of its successive inhabitants, Arabs and Jews, Palestinians and Israelis. From his documentary trilogy – The House (1980), A house in Jerusalem (1997), News from Home News from House (2005) – Amos Gitaï is back to theatre.
Amos Gitai / Yitzhak Rabin. 28 October 2023 – 18 March 2024 / Sabatini Building, Floor 3. The assassination of Israeli Prime Minister Yitzhak Rabin in 1995 shocked the world and caused the peace process to end the Israeli-Palestinian conflict to come to a sudden standstill.
Laila in Haifa is a 2020 Israeli-French drama film directed by Amos Gitai. It was selected to be shown in the main competition section of the 77th Venice International Film Festival. Cast
Materials were acquired from Amos Gitai and Marie-José Sanselme. The collection contains digital video, audio, Final Cut Pro projects created during the editing process, still images, and textual documentation related to many of Gitai's most prominent works, including Promised Land, Free Zone, Disengagement, One Day You'll Understand (Plus ...
