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  1. Miklós Rózsa (Hungarian: [ˈmikloːʃ ˈroːʒɒ]; April 18, 1907 – July 27, 1995) [1] was a Hungarian-American composer trained in Germany (1925–1931) and active in France (1931–1935), the United Kingdom (1935–1940), and the United States (1940–1995), with extensive sojourns in Italy from 1953 onward. [2] .

  2. Jul 22, 2020 · Throughout his career, Miklós Rózsa led an artistic “double life” between concert music and film scoring. On Monday, we heard Rózsa’s high-flying Violin Concerto. Now, let’s listen to excerpts from eight of his most celebrated film scores: Ben-Hur (1959)

  3. Miklós Rózsa, an intellect and a gentleman of the old school, was an artist with an enormous contribution to the art of film music. His music has been both light in tone and heavily dramatic in feeling, and he was one of very few film composers highly regarded enough to be accepted to the classical stage as well as in the motion picture studio.

  4. Dec 1, 2001 · Far more people have heard the music of Miklós Rózsa than that of his countryman and fellow modernist Béla Bartók, but far fewer know his name. For more than four decades, Rózsa divided his time between writing concert music and scoring commercial films.

  5. Miklós Rózsa. Music Department: Ben-Hur. A child prodigy, Miklos Rózsa learned to play the violin at the age of five and read music before he was able to read words. In 1926, he began studying at the Leipzig Conservatory where he was considered a brilliant student. He obtained his doctorate in music in 1930.

  6. Miklós Rózsa biography. Biography by Christopher Palmer. Miklós Rózsa (often misspelt as Rosza) was born in Budapest on April 18, 1907. His father was a well-to-do land-owning industrialist with a liberal outlook, and the boy grew up in an atmosphere of comfort, culture, and affection.

  7. Nov 22, 2019 · William Wyler’s crowning glory is now over 60 years old. The appetite for these religiously-fuelled odysseys doesn’t quite exist anymore, at least in European and American markets. Yet one aspect of Ben-Hur cannot be overlooked – Miklós Rózsa’s