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  1. Writing (Story and Screenplay--based on factual material or material not previously published or produced) - Melvin Frank, Jack Rose

  2. Writing (Story and Screenplay--based on factual material or material not previously published or produced) - Terence McCloy, Chris Clark, Suzanne de Passe

  3. 1977 & 1978: Writing (Screenplay Written Directly for the Screen–based on factual material or on story material not previously published or produced) 1979: Writing (Screenplay Written Directly for the Screen)

  4. in the first year of the Academy Awards, 1927/1928, there were only two writing categories: Best Writing, Adaptation and Best Original Story; there was also a short-lived category termed Best Title Writing, discontinued after this year at the end of the silent era.

  5. Feb 5, 2014 · WRITING (Story and Screenplay–based on factual material or material not previously published or produced) American Graffiti – George Lucas, Gloria Katz, Willard Huyck Cries and Whispers – Ingmar Bergman

  6. Writing (Story and Screenplay--based on factual material or material not previously published or produced) - Story by Bob Rafelson, Adrien Joyce; Screenplay by Adrien Joyce

  7. Best Screenplay Based on Factual Material or Material Not Previously Produced or Published Best Screenplay Based on Material from Another Medium; The Candidate – Jeremy Larner. The Discreet Charm of the Bourgeoisie – Luis Buñuel and Jean-Claude Carrière; Lady Sings the Blues – Chris Clark, Suzanne de Passe and Terence McCloy