Guido Anselmi
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Claudia Cardinale, Anouk Aimée, Sandra Milo, Rossella Falk, Barbara Steele, and Eddra Gale portray the various women in Guido's life. The film is shot in black and white by cinematographer Gianni Di Venanzo and features a score by Nino Rota, with costume and set designs by Piero Gherardi .
8½: Directed by Federico Fellini. With Marcello Mastroianni, Claudia Cardinale, Anouk Aimée, Sandra Milo. A harried movie director retreats into his memories and fantasies.
Marcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini’s 8½ (Otto...
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show.
Italian auteur Federico Fellini's Italian surrealist comedy-drama 8½ (1963) is quite enthralling and totally original. Fellini crafts a strange, surrealist take on the struggles of creative ...
Introduction by filmmaker Terry Gilliam. Audio commentary featuring film critic and Fellini friend Gideon Bachmann and NYU film professor Antonio Monda. High-definition digital transfer of a new restoration of Fellini: A Director’s Notebook, a 52-minute film by Federico Fellini.
One of the greatest films about film ever made, Federico Fellini’s 8½ (Otto e mezzo) turns one man’s artistic crisis into a grand epic of the cinema. An early working title for 8½ was THE BEAUTIFUL CONFUSION, and Fellini’s masterpiece is exactly that: a shimmering dream, a circus, and a magic act.
12 Jan 2010 · 8½: a bizarre and puzzling title, but one precisely appropriate for this film, which announces in its first frame that modernism has reached the cinema. If the mark of modernism in art is self-reference, 8½ surely goes beyond any predecessor in having itself as its subject. By 1963, Federico Fellini had made, by his count, seven and a half films.
The New York Times. It has no more plot than a horse race, no more order than a pinball machine, and it bounces around on several levels of consciousness, dreams and memories as it details a man's rather casual psychoanalysis of himself.
“8½ is a synthesis of modern cinema in terms of narrative invention and reflexivity. The filmmaker’s crisis allows for a glimpse of the doubts, weaknesses and ghosts involved in the creative process, calling into question the idea of an omniscient author secure in their métier.
