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  1. en.wikipedia.org › wiki › Umberto_EcoUmberto Eco - Wikipedia

    Umberto Eco OMRI (5 January 1932 – 19 February 2016) was an Italian medievalist, philosopher, semiotician, novelist, cultural critic, and political and social commentator.

  2. 安伯托·艾柯(Umberto Eco,1932年01月05日—2016年02月19日),1932年1月5日出生于意大利西北部皮埃蒙蒂州的亚历山大,是一位享誉世界的哲学家、符号学家、 历史学家 、 文学批评家 和小说家。. 《剑桥意大利文学史》将安伯托·艾柯誉为20世纪后半期最耀眼的 ...

  3. 翁贝托·埃科(義大利語: Umberto Eco ,義大利語: [umˈbɛrto ˈɛːko] ,1932年1月5日—2016年2月19日)是一名意大利小說家、文學評論者、哲學家、符號學家和大學教授。除了严肃的学术著作外,著有大量的小说和杂文,长年给杂志专栏撰写以睿智、讽刺风格见长的 ...

  4. Umberto Eco (born January 5, 1932, Alessandria, Italy—died February 19, 2016, Milan) was an Italian literary critic, novelist, and semiotician (student of signs and symbols) best known for his novel Il nome della rosa (1980; The Name of the Rose ).

  5. 《剑桥意大利文学史》将安伯托·艾柯(Umberto Eco,1932-)誉为20世纪后半期最耀眼的意大利作家,并盛赞他那“贯穿于职业生涯的‘调停者’和‘综合者’意识”。

  6. Feb 19, 2016 · Umberto Eco was an Italian writer of fiction, essays, academic texts, and children's books. A professor of semiotics at the University of Bologna, Ecos brilliant fiction is known for its playful use of language and symbols, its astonishing array of allusions and references, and clever use of puzzles and narrative inventions.

  7. May 1, 2024 · 翁贝托·埃科(意大利语: Umberto Eco ,意大利语: [umˈbɛrto ˈɛːko] ,1932年1月5日—2016年2月19日)是一名意大利小说家、文学评论者、哲学家、符号学家和大学教授。除了严肃的学术著作外,著有大量的小说和杂文,长年给杂志专栏撰写以睿智、讽刺风格见长的 ...

  8. Umberto Eco (b. 1932–d. 2016) was an Italian author and theorist whose contributions to the academic and creative zeitgeists ripple into inter- and multidisciplinary fields including, but not limited to, semiotics, linguistics, communication theory, narrative theory, politics, pop culture, history, and aesthetic theory.

  9. 安伯托·艾可(義大利語: Umberto Eco ,義大利語: [umˈbɛrto ˈɛːko] ,1932年1月5日—2016年2月19日)是一名義大利小說家、文學評論者、哲學家、符號學家和大學教授。除了嚴肅的學術著作外,著有大量的小說和雜文,長年給雜誌專欄撰寫以睿智、諷刺風格見長的 ...

  10. Umberto Eco, (born Jan. 5, 1932, Alessandria, Italy—died Feb. 19, 2016, Milan), Italian critic and novelist. He taught in Florence, Milan, and Bologna. In The Open Work (1962), he argued for the fundamentally ambiguous nature of certain types of literature and music.