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  1. Jun 8, 2024 · He used point and shoot cameras to best record spontaneous moments in life, and “Underwater Swimmer, Esztergom” was photographed with bright sunlight from the edge of the pool with the reflections creating almost a thunder-like texture on the water as the swimmer seemingly glides past. The swimmer is actually stationary, but Kertész has ...

  2. It was when Kertész was recovering from a wartime injury in 1917 that he took Underwater Swimmer, one of his best-known photographs. It has been hugely influential to image-makers the world over. “Kertész was shot and his arm was paralysed for a while,” Kooiman explains.

  3. Black and white photograph of a man swimming underwater in a swimming pool. He is outstretched, face down, with his arms extended ahead of him. The figure occupies most of the image frame, with his feet in the top-left corner and his arms in the bottom-right corner.

  4. The work builds on his awareness of the visual effects of distortions demonstrated in his early 1917 photograph of a swimmer underwater. The series was taken in a studio, which is unusual amongst Kertesz's practice as he more often than not used a documentary style of photography on location.

  5. Artist Name: André Kertész (American, 1894-1985) Title: Underwater Swimmer, Esztergom ; Date: 1917 ; Medium: Gelatin silver print ; Dimensions: Image: 7 x 9-3/4 in. (17.8 x 24.8 cm) Credit Line: Norton Simon Museum, Museum Purchase, Fellows Acquisition Fund ; Accession Number: PH.1973.15

  6. Calling this print his "first distortion," Kertész's photograph of a man swimming underwater explores the effect of light and water on the perception of form. The swimmer's body, which extends dynamically from the upper left to lower right corners of the image, becomes increasingly transformed towards the head and arms, which appear bent and ...

  7. May 15, 2005 · Overview: 121 photographs by André Kertész and 2 books of his images of Paris were shown in this first major U.S. retrospective of the Hungarian artist's work. Photographs spanned Kertész's career, including his years in Hungary, Paris, and New York.