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  1. en.wikipedia.org › wiki › Ranjan_GhoshRanjan Ghosh - Wikipedia

    Ranjan Ghosh (Bengali: রঞ্জন ঘোষ Rônjôn Ghosh) is a Bengali filmmaker based out of Kolkata, India. He had risen to prominence with the release of Aparna Sen's Bengali feature film Iti Mrinalini, by becoming the first and the only screenwriter, the acclaimed actor-director had collaborated with in her illustrious career till date.

  2. Ranjan Ghosh is an Indian academic and thinker who teaches at the Department of English, University of North Bengal, India. His wide-ranging scholarly work spans across the fields of comparative literature, comparative philosophy, philosophy of education, environmental humanities, critical and cultural theory, and Intellectual history.

  3. Ranjan Ghosh is a scholar of comparative literature, philosophy and culture. His papers explore topics such as plasticity, world literature, secular writing, Orientalism, and more.

  4. Ranjan Ghosh is an Indian academic and thinker who teaches at the Department of English, University of North Bengal, India. His wide-ranging scholarly work spans across the fields of comparative literature, comparative philosophy, philosophy of education, environmental humanities, critical and cultural theory, and Intellectual history.

  5. Nov 10, 2022 · Ranjan Ghosh terms this approach the material-aesthetic and, through this concept, traces the emergence and development of plastic polymers along the same historical trajectory as literary modernism. In this blog, we learn more about what lead Ghosh toward this work and how the meaning of “turn” it has been shaped in this interesting context.

  6. Jan 5, 2024 · In The Plastic Turn, Ranjan Ghosh posits plastic as the defining material of our age and plasticity as an innovative means of understanding the arts and literature. Joff Bradley welcomes this innovative philosophical treatise on how we can make sense of the modern world through a plastic lens.

  7. Using plastic as a "theory machine," this article looks into the dynamics and poetics of what I call plastic literature. It argues out a case for the "plastic sea" with its properties like sinking, mineralization, scopious contamination, per-vasiveness, and deep-water micro-plasticization.