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Sylvia Sidney (born Sophia Kosow; [1] August 8, 1910 – July 1, 1999) was an American stage, screen, and film actress whose career spanned 70 years. She rose to prominence in dozens of leading roles in the 1930s.
Actress: Beetlejuice. Sylvia Sidney was born in The Bronx, New York City, on August 8, 1910 as Sophia Kosow to Jewish parents. Her father was born in Russia and her mother was born in Romania. They divorced not long after her birth.
Jul 2, 1999 · Sylvia Sidney, whose vulnerable but spunky persona helped make her the ultimate heroine of realistic movies of the 1930's, died yesterday at Lenox Hill Hospital in Manhattan.
Jul 1, 1999 · Sylvia Sidney (born Sophia Kosow, August 8, 1910 – July 1, 1999) was an American stage, screen and film actress whose career spanned over 70 years. She rose to prominence in dozens of leading roles in the 1930s.
Mar 22, 2023 · “I plan to die without a nickel,” actress Sylvia Sidney told the LA Times in a 1990 interview. The acerbic 80-year-old star had just stolen the show as Juno the otherworldly caseworker in Tim...
Jul 20, 1999 · WITH HER wide, soulful eyes, high cheekbones and tremulous lips, Sylvia Sidney was an ideal heroine for the Depression, during which she was frequently a working-class girl stoically...
Jul 2, 1999 · Sylvia Sidney, a durable character actress for seven decades who in her mid-80s appeared in the 1996 hit film “Mars Attacks!” died Thursday in New York. Sidney died at Lennox Hill Hospital of...
Sylvia Sidney (born Sophia Kosow; August 8, 1910 – July 1, 1999) was an American stage, screen, and film actress whose career spanned 70 years. She rose to prominence in dozens of leading roles in the 1930s.
Sylvia Sidney was an American movie, television, voice, and stage actress who is known for her role in the crime-drama movies. She is also known for playing Florence Norris in Mars Attacks! and as Juno in Beetlejuice. Sidney won a Golden Globe Award and a Saturn Award.
Feisty and opinionated, Sylvia Sidney was quite the opposite of the waiflike victim of social oppression she played in Hollywood’s Depression Era films. While she disliked playing the victim, her vulnerability and working-class persona resonated with audiences.
