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Tsui Hark (Chinese: 徐克, Vietnamese: Từ Khắc, born 1 February 1951), born Tsui Man-kong (Vietnamese: Từ Văn Quang), is a Hong Kong filmmaker. Tsui has directed several influential Hong Kong films such as Zu Warriors from the Magic Mountain (1983), the Once Upon a Time in China film series (1991–1997) and The Blade (1995).
Hark Tsui. Producer: Detective Dee: The Mystery of the Phantom Flame. Tsui Hark recently became the fourth Chinese film director to join the board of judges for the 57th Cannes Film Festival in the feature films category this year.
Tsui Hark (Chinese: 徐克, Vietnamese: Từ Khắc, born 15 February 1950), born Tsui Man-kong, is a New Wave film director in Hong Kong and an influential film producer. He is viewed as a major figure in the Golden Age of Hong Kong cinema (typically early 1980s to mid 1990s).
Jun 11, 2023 · Innovative, energetic, and incredibly hard-working, Tsui Hark was a powerhouse behind the Hong Kong cinema boom of the early 1990s.
Online Exclusive: An Annotated* Tsui Hark Interview. By Grady Hendrix in the September-October 2011 Issue. Regardless of whether you love him, hate him, or are completely unaware of him, Tsui Hark remains the most important Chinese film director working today.
Feb 15, 2021 · Where to begin with Tsui Hark. A beginner’s path through the breathtaking action cinema of Hong Kong New Wave figurehead and ‘heroic bloodshed’ pioneer Tsui Hark.
One of the most influential filmmakers in Hong Kong cinema, Tsui Hark ignited the Hong Kong New Wave with his debut feature (1979) and has been tirelessly creating for over 45 years.
Tsui Hark. Sometimes called the Steven Spielberg of Asia, TSUI Hark (1950, Vietnam) is a celebrated director of many action films and one of the leading figures in the Chinese martial arts genre of wuxia. Born in Vietnam, Tsui moved to Hong Kong in 1966 to become a TV director and producer.
Hark Tsui. Producer: Detective Dee: The Mystery of the Phantom Flame. Tsui Hark recently became the fourth Chinese film director to join the board of judges for the 57th Cannes Film Festival in the feature films category this year.
Tsui Hark, The Iconoclast of Hong Kong Cinema. Is there a Tsui Hark paradox? With fifty films clocked up as director and a good twenty more as producer over a forty-year stretch, the Hong Kong filmmaker stands, objectively speaking, as a colossus in the contemporary Asian cinematographic landscape.
