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The song tells of a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title. The song has become a popular standard recorded by many artists after it was recorded by Louis Armstrong in 1955 with translated lyrics by Marc Blitzstein.
Mack the Knife Lyrics. Oh the shark, babe, has such teeth, dear. And he shows them pearly white. Just a jackknife has old Macheath, babe. And he keeps it outta sight. You know when that shark...
Mack the Knife Lyrics. Dig, man, there goes Mack The Knife! Oh, the shark has pretty teeth, dear. And he shows them, a-pearly white. Just a jackknife has Macheath, dear. And he...
Jun 3, 2024 · The lyrics of “Mack The Knife” tell the story of a notorious criminal, Macheath, also known as Mack the Knife. The song portrays Mack as a dangerous and cunning figure, who is not to be trusted. It describes his criminal activities and the fear he instills in those who cross his path.
Sep 12, 2010 · Watch Louis Armstrong perform his iconic rendition of "Mack the Knife" on the Hollywood Palace show in 1965. Hear his distinctive voice and trumpet skills as he sings the classic song about a ...
Apr 1, 2004 · The main character is still Macheath, but Macheath transformed. He’s now called Mackie Messer, AKA Mack the Knife. (“Messer” is German for knife.) Where Gay’s Macheath was a gentleman thief, Brecht’s Mackie is an out-and-out gangster.
Feb 1, 2024 · The main character in the original German version of the song "Mack the Knife" is a murderer and rapist. The translation to English watered down some of the harsh realities of the original.
Jun 13, 2010 · The Andy Williams ShowIn my humble opinion, the best filmed performance of Mack.
Mar 6, 2008 · Mack The Knife (original) - YouTube. Mercury. 872 subscribers. Subscribed. 7.4K. 1.6M views 16 years ago. Here's the original song 'Die Moritat von Mackie Messer' from the 'Threepenny opera'...
"Mack the Knife" or "The Ballad of Mack the Knife" (German: "Die Moritat von Mackie Messer") is a song composed by Kurt Weill for the 1928 play The Threepenny Opera. The song has become a popular standard recorded by many artists including Louis Armstrong in 1955, Bobby Darin in 1959 and Ella Fitzgerald Grammy Award winning in 1961.
